i thought i replied to that question, zizou, but apparenty not. well, i think he still made some good films after "mystic river" but his last couple haven't been too great.
and you know what?
neither is this one!
actually, it's a bit of a missed opportunity. if you didn't know much about hoover before this film, you'd think he was a pretty sad but forgivable guy after seeing this. and really, the guy was just as much a criminal as the ones he caught. while he deserves credit for creating and legitimizing the federal bureau of investigation, he took a lot of liberties once he got more power. and that really isn't covered a whole lot in the film. it's also a little insulting that the final scene is meant to be a bit of a "ha-ha" moment when hoover's personal files are being shredded. if everybody has a file, so should edgar.
as a personal story, it is a bit of a triumph. after the first few jarring moments of hearing dicaprio strain for an old accented hoover, he settles into the role (and the horrendous make-up) and winds up giving one of his most powerful performances in years. his relationship with clyde tolson (brilliantly played by armie hammer) is well treated by screenwriter dustin lance black (who also penned "milk", a far superior film) but the professional story is really amiss. and there's always the question of why hoover is the way he is...it's not really explored except in a few confusing flashbacks to when he's a child. he has an intensely close relationship to his mother, too, and she really dictates him as a man. but he still has his own personal demons, especially when it comes to clyde. he does truly love him, but he doesn't want to risk the embarrassment of expressing it. tolson is portrayed much more willing to expose himself as in love with edgar, but edgar doesn't allow anything to happen...except in one scene, kind of.
The film didn't bore me; that was a pleasant surprise. I wasn't sure how much I actually wanted to know about hoover, and I still don't think I learned anything substantial or tangible because as i said before, the personal files were shredded. So there's a lot of speculation...maybe he wasn't even truly in love with tolson after all. He did fabricate a lot of his arrest stories and make himself out to be more heroic than he probably was.
Overall I just wanted more out of this picture. Once again, it's well photographed and the pace is fine by Eastwood (except the last 10 minutes have a few "is this over now?" moments) but Eastwood doesn't seem to figure Hoover out either, nor does he seem to care to. I don't know if that's really "mailing it in" but it's definitely not the kind of command he usually has over his films.
The make-up, like I said, is bad. Naomi Watts' isn't too horrible, but the WORST is Tolson's. It is absolutely horrendous. It looks so prosthetic it's almost like he's wearing a bad mask from Halloween. Hammer does as good a job as he can while inside but good Christ I just wonder...did anybody watch the dailies for this film? Or was the make-up like an after effect, not put in until post production?
Surprised and thoroughly enjoyed DiCaprio's performance. But the film really falls short of what it possibly could be, if they just had some info on the bastard.
out of
(that's the equivalent of 2 1/2 stars, just to be clear)