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PostPosted: Sun Aug 19, 2012 11:52 am 
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I saw a Gene Simmon's interview and he said the fans killed the industry. Do you buy that?

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PostPosted: Sun Aug 19, 2012 12:49 pm 
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Lack of product is the biggest thing.

Equating downloads to 45 singles records, I don't think being able to cherry pick did album sales any good, either.

Breaking the cycle of having radio DJs create product demand has to be factored in.

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PostPosted: Sun Aug 19, 2012 2:46 pm 
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nice of him to blame the fans, his band is like 10% substance and 90% marketing...he should be thanking all the dopes that bought KISS luncboxes and KISS paper towel holders.


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PostPosted: Sun Aug 19, 2012 2:51 pm 
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I blame Steve Jobs and Joe Satriani.

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PostPosted: Sun Aug 19, 2012 2:56 pm 
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wrong, JORR
the real correct answer is Obama


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PostPosted: Sun Aug 19, 2012 6:39 pm 
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Keeping Score wrote:
Nirvana


no


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PostPosted: Sun Aug 19, 2012 6:39 pm 
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Burritos. First hippie love music, then disco, then new wave, then boy bands.


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PostPosted: Sun Aug 19, 2012 6:39 pm 
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Keeping Score wrote:
Nirvana

Bad Hairbands.


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PostPosted: Sun Aug 19, 2012 7:34 pm 
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Correct answer: The Internet.

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PostPosted: Sun Aug 19, 2012 7:46 pm 
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Dewskie wrote:
Correct answer: The Internet.


Exactly. Music is now free.

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PostPosted: Sun Aug 19, 2012 8:16 pm 
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Keeping Score wrote:
I do know what killed the radio star.


There is a theory afoot that SHARK may have killed upwards of 7 nostalgic TV stars in the last year or so.

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PostPosted: Sun Aug 19, 2012 8:35 pm 
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Joe Orr Road Rod wrote:
Dewskie wrote:
Correct answer: The Internet.


Exactly. Music is now free.

Hey look, it's this thread again...

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PostPosted: Sun Aug 19, 2012 8:41 pm 
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Bagels wrote:
nice of him to blame the fans, his band is like 10% substance and 90% marketing...he should be thanking all the dopes that bought KISS luncboxes and KISS paper towel holders.


Gene Simmons is the biggest whore in the history of rock. For him to blame fans shows his true pud colors. You were an average at best band, who relied on all of the special effects to overshadow the fact that you could barely sing and play your instruments. I grew up during all the KISS Army shit, and I bought into it. Then I realized they were 4 semi talented Jews who put on a good stage show. End of story. They even sold KISS coffins. Make an album worth listening to once in awhile Chaim.

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PostPosted: Sun Aug 19, 2012 8:45 pm 
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A7X wrote:
Bagels wrote:
nice of him to blame the fans, his band is like 10% substance and 90% marketing...he should be thanking all the dopes that bought KISS luncboxes and KISS paper towel holders.


Gene Simmons is the biggest whore in the history of rock. For him to blame fans shows his true pud colors. You were an average at best band, who relied on all of the special effects to overshadow the fact that you could barely sing and play your instruments. I grew up during all the KISS Army shit, and I bought into it. ]Then I realized they were 4 semi talented Jews who put on a good stage show. End of story. They even sold KISS coffins. Make an album worth listening to once in awhile Chaim.

Add 9 to that and thats how I felt about Hay Suess and the Apostles.

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PostPosted: Sun Aug 19, 2012 8:51 pm 
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badrogue17 wrote:
Add 9 to that and thats how I felt about Hay Suess and the Apostles.


Swung on....and belted!!! :lol: :lol: :lol:

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PostPosted: Sun Aug 19, 2012 8:53 pm 
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The Killers?

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PostPosted: Sun Aug 19, 2012 8:58 pm 
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Home5licE wrote:
Joe Orr Road Rod wrote:
Dewskie wrote:
Correct answer: The Internet.


Exactly. Music is now free.

Hey look, it's this thread again...


Well, it's slightly different. I think before we were talking about morality. This is from a practical perspective. Whatever your feelings might be about what "should be", the fact is that music is now free. There's nothing to be done about that. In fact, had the record industry grasped that fact sooner, this thread might not exist.

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PostPosted: Sun Aug 19, 2012 9:09 pm 
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A7X wrote:
Then I realized they were 4 semi talented Jews who put on a good stage show.


I think only two of them are Jewish.

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PostPosted: Sun Aug 19, 2012 9:12 pm 
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Joe Orr Road Rod wrote:
Home5licE wrote:
Joe Orr Road Rod wrote:
Dewskie wrote:
Correct answer: The Internet.


Exactly. Music is now free.

Hey look, it's this thread again...


Well, it's slightly different. I think before we were talking about morality. This is from a practical perspective. Whatever your feelings might be about what "should be", the fact is that music is now free. There's nothing to be done about that. In fact, had the record industry grasped that fact sooner, this thread might not exist.

No, this was exactly how that thread started: you insisting that your opinion that "music is free" is an indisputable fact.

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PostPosted: Sun Aug 19, 2012 9:19 pm 
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Home5licE wrote:
No, this was exactly how that thread started: you insisting that your opinion that "music is free" is an indisputable fact.


The fact that I can get any song I want for free right now means it is an indisputable fact. Some people haven't come to terms with that reality yet. Believe me, they will eventually.

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PostPosted: Sun Aug 19, 2012 11:05 pm 
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I hold to the theory that the industry failed to properly adapt its business model to the Internet. The Internet allows people to get the music for free, no question. But it also makes selling CDs obsolete and lets the end user select the songs for a minimum fee. Instead of dropping $15 for a one-hit wonder album, a listener only needs to pay $.99. There is no need for a record label to distribute actual physical product because anyone who wants to buy the music can get it on iTunes, Bandcamp, Amazon, etc.

The nice thing is that the cost of creating music has gone down dramatically. Established bands can record their stuff in home studios for minimal money. An independent band has no advance to pay back and their stuff can be distributed for sale digitally with no need for distro to thousands of stores across the country. Kickstarter has helped with raising money for existing bands to come out of retirement and put out new albums.

What I don't care for is bands that only release digital content that is not lossless. I don't want a MP4 file when I should have a FLAC or Wave file. I also find it somewhat ridiculous when an album on Amazon is more expensive to download from the site that it is to have the same album shipped from sellers on Amazon. I also think a vinyl record is more exciting than a digital download.

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PostPosted: Sun Aug 19, 2012 11:27 pm 
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Mini Ditka wrote:
I hold to the theory that the industry failed to properly adapt its business model to the Internet.


Sort of - the music industry was probably preparing to adapt to internet sales, but nothing could've prepared them for not only piracy, but RAMPANT piracy. Easy, accessible, fast piracy.

But as others have said - within a few years music went from "Pay-To-Play" to "How-Can-I-Get-You-To-Pay-For-This?

The Oatmeal did a fine job breaking this down:

http://theoatmeal.com/comics/music_industry

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PostPosted: Sun Aug 19, 2012 11:51 pm 
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Dewskie wrote:
Mini Ditka wrote:
I hold to the theory that the industry failed to properly adapt its business model to the Internet.


Sort of - the music industry was probably preparing to adapt to internet sales, but nothing could've prepared them for not only piracy, but RAMPANT piracy. Easy, accessible, fast piracy.

But as others have said - within a few years music went from "Pay-To-Play" to "How-Can-I-Get-You-To-Pay-For-This?


The thing I remember about buying CDs in the 90s that it was somewhat rare to actually get to sample the album before you bought it. It was also nearly impossible to make a mix CD. I remember knowing a guy who had a CD burner that would allow you to make your own mix CDs. It was $300 for a machine like that at the time.

While Napster was most definitely the beginning of the end, the quality of those files snagged from dial-up were very low quality. Full CD rips and song downloads would not be available until the bandwidth expanded. The creation of portable music players also marked a change for the industry.

I do agree about the point about the industry going from "pay to play" to "how do we charge for this." The problem was they were stuck between a rock and a hard place. Either you stick to your original business model and suffer loss of sales or you attempt to recoup some of the losses from "the pirates" and eventually put all the music for sale online.

I think where the industry lost its way was trying to intimidate the pirates. That didn't work and neither did their failed attempts at DRM. The problem was that they did not succeed in getting everyone who bought albums in stores to buy them online. The business model does not work because it was created to work in retail stores and the online model is different.

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PostPosted: Mon Aug 20, 2012 6:17 am 
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Mini Ditka wrote:
There is no need for a record label to distribute actual physical product...


And that's exactly why no one- and I mean no one- actually equates downloading a song with shoplifting regardless of their protestations to the contrary. That was part of my argument with Lipid. He kept insisting that he does see the two "thefts" the same way all while he was freely using an avatar which was owned by someone else and that I highly doubt he had licensed for usage on this message board. People simply don't respect digital content the same way they do something that can be held in their hands. But it's not incumbent upon the marketplace to value your product. It's incumbent upon you to create value in the marketplace. If you're interested in getting paid, that is.

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PostPosted: Mon Aug 20, 2012 7:11 am 
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The value added by the record industry has been taken out by technology. They excelled at distribution and marketing but those aren't really needed any more. They would completely screw over any new artist and very few actual artists made a ton of money off of record sales. That's why the initial whining about illegal music downloads was from the richest of bands and singers and that is why no one cared that they were losing money. I feel bad for a local Chicago band that is struggling to make ends meet while trying to make it in the industry but those weren't the bands being downloaded. In fact, many of them gave away music in order to gain more fans, or sold at a very low price on an independent label and made money on concerts.

Right now, the music industry doesn't add any value to us or artists. They did when you wanted to have tapes or cds sent out to every record store in every mall around the country or when you wanted to get your name out there. Now, people can use itunes, youtube, and myspace and do the exact same thing.

It's just like Best Buy. They used to provide the value that you could get electronics easily and quickly and cheaper. Now, the only value they provide is the ability to try it before you buy, and even that has been mostly nullified by the huge amount of reviews of products available now.

The funny thing now is that the music industry currently just hurts consumers. Justin Bieber started as a youtube sensation and now the music industry has taken a monopoly on him and extracted money off of him. If record companies were made illegal tomorrow we'd still have music and artists would still be paid.

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PostPosted: Mon Aug 20, 2012 7:31 am 
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Boilermaker Rick wrote:
If record companies were made illegal tomorrow we'd still have music and artists would still be paid.


I think it's been proven that people will support artists they feel are worth supporting. It's not the divine right of every genius with a guitar and ProTools to be paid for what he creates.

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PostPosted: Mon Aug 20, 2012 7:36 am 
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Joe Orr Road Rod wrote:
Boilermaker Rick wrote:
If record companies were made illegal tomorrow we'd still have music and artists would still be paid.


I think it's been proven that people will support artists they feel are worth supporting. It's not the divine right of every genius with a guitar and ProTools to be paid for what he creates.
I don't even consider buying a cd to be supporting the artist. From a quick google search, it estimates that for every $1000 of record sales that a musician in a four person band makes $23.40.

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PostPosted: Mon Aug 20, 2012 7:37 am 
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Putting piracy aside, the "How do we get them to pay us?" issue exists for other industries as well. For example newspapers, magazines and books have seen a decline in people buying their product. Part of their problem is not exactly piracy, but the Internet making their products free. If a news website is free, why should anyone pay for a newspaper? In the case of newspapers, magazines and books, the only answer is a subscription service model, which is less successful for most. Although Consumer Reports does have some success with its subscription service.

The other industries also dealing with loss from the Internet are movie studios and television stations. It's true that some may have to do with piracy, but it's also true that it's much more convenient to watch movies at home with a rental or Netflix digitally. The television stations have also seen a loss in advertising revenue as they fail to be the same sort of ratings juggernaut they once were when people didn't have so many other options for news and network programming. The television stations have lost advertising revenue with most programs, except for the NFL and the NCAA Tournament.

With the rise of video games and other types of digital entertainment, you have to wonder if the place of music in the lives of teenagers has been taken over by other interests. The industry took the teenagers with disposable income for granted. Nowadays rock stars just aren't that interesting when you can play Guitar Hero or the Wii, PS3 or XBox. Even video game companies deal with piracy, yet they can still make money because it's much harder to pirate a video game that it is a CD. Not only that, but a video game is much more captivating than an album.

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PostPosted: Mon Aug 20, 2012 7:43 am 
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I believe magazines are actually doing fine. The thing is that the value provided by distribution is over or at least has been pushed to other providers that give quicker and more efficient ways. It's just like the postal service. They were successful because they were the best means of communication. Newspapers were a success because they were the best means to distribute news. Record companies were successful because they were the best means to distribute music. Technology always improves distribution methods because ultimately, that is what it is good at.

This is actually a great thing for consumers. That's why it's a good thing that newspapers are going away. We no longer have to pay for distribution and it saves us all money. Music, movies, news, and articles will always have a value to it and content producers will find a way to generate it and make money off of it. We just don't have to pay for a newspaper truck to drive around dropping off shipments of paper that are obsolete one day later.

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PostPosted: Mon Aug 20, 2012 7:54 am 
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Boilermaker Rick wrote:
This is actually a great thing for consumers. That's why it's a good thing that newspapers are going away. We no longer have to pay for distribution and it saves us all money. Music, movies, news, and articles will always have a value to it and content producers will find a way to generate it and make money off of it. We just don't have to pay for a newspaper truck to drive around dropping off shipments of paper that are obsolete one day later.


I do think it's easier for consumers, but it also means that it's harder to make money as a journalist. For example, Steve Aschburner worked for the Star Tribune in Minneapolis for many years, but he had to take a early out / forced retirement because they were cutting staff. Granted he did land a gig with NBA.com, but not everyone who worked at a print publication is so fortunate. Writing is competitive enough with print publications, taking away newspapers means the loss of jobs and many opportunities. Of course colleges will continue to pump out journalism grads. The question is: "How do you generate money from your content if you don't have an advertising-based business?"

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