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PostPosted: Tue Jul 29, 2014 1:53 pm 
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Oh and pretty much every Stephen King movie ending, shawshank being the obvious exception.

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PostPosted: Tue Jul 29, 2014 2:01 pm 
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Misery was a good ending, for King that is.

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PostPosted: Tue Jul 29, 2014 2:06 pm 
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Spies Like Us. Tremendously funny start, awful end. Like, run out of script awful.

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PostPosted: Tue Jul 29, 2014 2:12 pm 
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Darkside wrote:
Oh and pretty much every Stephen King movie ending, shawshank being the obvious exception.


And every King novel. His short stories usually make the best movies because the endings arent quite as horseshit as his novels are... I cant wait to one day be pissed off at the end of The Dark Tower after it is made into a series on HBO.

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PostPosted: Tue Jul 29, 2014 2:24 pm 
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Karate Kid--> Johnny Lawrence, the film's real hero, should have won.
Jaws--> I always root for the SHARK. He's got the air of the underdog about him.
Pretty Woman--> Julia Roberts should strangle Richard Gere in the bathtub. I hear that's what happens in the Director's Cut.
Say Anything--> The plane taking Ione Skye and John Cusack to England should crash.

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PostPosted: Tue Jul 29, 2014 2:33 pm 
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Tall Midget wrote:
Karate Kid--> Johnny Lawrence, the film's real hero, should have won.
Jaws--> I always root for the SHARK. He's got the air of the underdog about him.
Pretty Woman--> Julia Roberts should strangle Richard Gere in the bathtub. I hear that's what happens in the Director's Cut.
Say Anything--> The plane taking Ione Skye and John Cusack to England should crash.

I hope one (1) of your tomatoes has a worm in it.

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PostPosted: Tue Jul 29, 2014 2:35 pm 
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Tall Midget wrote:
Pretty Woman--> Julia Roberts should strangle Richard Gere in the bathtub. I hear that's what happens in the Director's Cut.
.

#5. Pretty Woman -- Edward Abandons Vivian Back to Her Life of Prostitution

Touchstone Pictures

In Pretty Woman, ruthless corporate raider Edward pays a hooker named Vivian $3,000 to spend the entire week with him, because apparently that's the only way he can convince women to be around him despite looking like 1980s Richard Gere and commanding a six-figure annual income. He's planning to buy out a fledgling company from a sweet old man so he can liquidate it piecemeal, sort of like Michael Douglas in Wall Street, but his time with Vivian softens his heart, and she is similarly won over by Edward's ability to buy her anything she wants at any given moment.


Touchstone Pictures

Love is never having to say "We can't afford that."

At the end of the week, Edward drives to Vivian's apartment in a limousine, gives her a rose, and asks her to have sex with him for free for the foreseeable future. She agrees, they share a romantic kiss, and Roy Orbison sings us into the credits.

The Original Ending

We've previously talked about how Vivian was a drug addict in the original script. But that doesn't even scratch the surface of how dark this story used to be:


Image

Touchstone Pictures

Then Edward burns down an orphanage.

Edward does indeed drive up to Vivian's rancid cocaine paddock, but instead of a rose, he leaves her an envelope full of boner cash to cover their week together and gets right back into his car. There's no sweet reconciliation, no heartfelt romantic gesture, and no limousine -- Edward just dumps Vivian's ass back on Hollywood Boulevard and drives out of her life forever, leaving her literally crawling on her hands and knees crying bitter tears into a pile of money.

That ending was just one of a million other desolately bleak things about the film's original screenplay, a cautionary drama about addiction and prostitution called $3,000. However, after it was purchased by Disney, their chairman, Jeffrey Katzenberg, looked at the script and somehow thought the story of a strung-out prostitute and her unscrupulous john would make a perfect romantic comedy. The film was extensively rewritten to force-feed us a spunky Julia Roberts in a feel-good modern fairy tale, which to date is the only R-rated movie about hookers ever filmed that doesn't have any nudity in it.





Read more: http://www.cracked.com/article_20377_7- ... z38t6q0q7e


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PostPosted: Tue Jul 29, 2014 2:38 pm 
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I love Major League but Jake Taylor was a catcher playing on two bad knees. No way does he run out that bunt... Even if it looked close, the 3B should have held on to the ball and let the Duke get the next out. I mean who was up after Taylor?

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PostPosted: Tue Jul 29, 2014 2:40 pm 
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Hank Scorpio wrote:
I love Major League but Jake Taylor was a catcher playing on two bad knees. No way does he run out that bunt... Even if it looked close, the 3B should have held on to the ball and let the Duke get the next out. I mean who was up after Taylor?

Cerrano, no booze for you.

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PostPosted: Tue Jul 29, 2014 2:55 pm 
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Spaulding wrote:
The Departed
The Devil's Advocate
Titanic
Scent of a woman

I thought the ending of that movie was perfect...pretty much everyone dies, there is no happy ending for anyone involved...found that part of it so refreshing.


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PostPosted: Tue Jul 29, 2014 3:05 pm 
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lipidquadcab wrote:
Spaulding wrote:
The Departed
The Devil's Advocate
Titanic
Scent of a woman

I thought the ending of that movie was perfect...pretty much everyone dies, there is no happy ending for anyone involved...found that part of it so refreshing.


But the rat on the balcony.... C'mon man. WE GET IT.

The slut girlfriend and Marky Mark seemed happy....ish.

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PostPosted: Tue Jul 29, 2014 3:05 pm 
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lipidquadcab wrote:
Spaulding wrote:
The Departed
The Devil's Advocate
Titanic
Scent of a woman

I thought the ending of that movie was perfect...pretty much everyone dies, there is no happy ending for anyone involved...found that part of it so refreshing.

Yup.

Image

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PostPosted: Tue Jul 29, 2014 3:25 pm 
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Hawg Ass wrote:
Stripes



^Winner...

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PostPosted: Tue Jul 29, 2014 3:29 pm 
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Krazy Ivan wrote:
Hawg Ass wrote:
Stripes



^Winner...


But it's not even a bad ending its a bad second half of the movie. Once boot camp is over the movie is fucking terrible.

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PostPosted: Tue Jul 29, 2014 3:31 pm 
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Hank Scorpio wrote:
Krazy Ivan wrote:
Hawg Ass wrote:
Stripes



^Winner...


But it's not even a bad ending its a bad second half of the movie. Once boot camp is over the movie is fucking terrible.

The ending is just, I can't even believe a writer would have done that.

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PostPosted: Tue Jul 29, 2014 3:32 pm 
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Hank Scorpio wrote:
lipidquadcab wrote:
Spaulding wrote:
The Departed
The Devil's Advocate
Titanic
Scent of a woman

I thought the ending of that movie was perfect...pretty much everyone dies, there is no happy ending for anyone involved...found that part of it so refreshing.


But the rat on the balcony.... C'mon man. WE GET IT.

The slut girlfriend and Marky Mark seemed happy....ish.

You thought the girlfriend seemed happyish? :lol: She just buried one guy she cared about (who could have been the father of her child) and the other guy she cared about had completely lied about who he was to the point she didn't want anything to do with him anymore.

As for Marky Mark's character, he ran out of people to call Caller Bobs. Pretty sure if that movie runs 30 seconds longer he would have turned the gun on himself.


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PostPosted: Tue Jul 29, 2014 3:37 pm 
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lipidquadcab wrote:
Hank Scorpio wrote:
lipidquadcab wrote:
Spaulding wrote:
The Departed
The Devil's Advocate
Titanic
Scent of a woman

I thought the ending of that movie was perfect...pretty much everyone dies, there is no happy ending for anyone involved...found that part of it so refreshing.


But the rat on the balcony.... C'mon man. WE GET IT.

The slut girlfriend and Marky Mark seemed happy....ish.

You thought the girlfriend seemed happyish? :lol: She just buried one guy she cared about (who could have been the father of her child) and the other guy she cared about had completely lied about who he was to the point she didn't want anything to do with him anymore.

As for Marky Mark's character, he ran out of people to call Caller Bobs. Pretty sure if that movie runs 30 seconds longer he would have turned the gun on himself.


:lol: :lol: No, Alec Baldwin was still around for mother fucking and cunting.

She gave him the cold shoulder at the funeral and was moving on with her life. I pictured her driving in her car with the top down moving out to the west coast and starting over.

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PostPosted: Tue Jul 29, 2014 3:53 pm 
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Hank Scorpio wrote:
Darkside wrote:
Oh and pretty much every Stephen King movie ending, shawshank being the obvious exception.


And every King novel. His short stories usually make the best movies because the endings arent quite as horseshit as his novels are... I cant wait to one day be pissed off at the end of The Dark Tower after it is made into a series on HBO.

I would demand a rewrite of the ending. King would get pissed, pull his name on it and then I could do the real good show: The life of Roland between Wizard and Glass and The Gunslinger.

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PostPosted: Tue Jul 29, 2014 3:55 pm 
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Psycory wrote:
Hank Scorpio wrote:
Darkside wrote:
Oh and pretty much every Stephen King movie ending, shawshank being the obvious exception.


And every King novel. His short stories usually make the best movies because the endings arent quite as horseshit as his novels are... I cant wait to one day be pissed off at the end of The Dark Tower after it is made into a series on HBO.

I would demand a rewrite of the ending. King would get pissed, pull his name on it and then I could do the real good show: The life of Roland between Wizard and Glass and The Gunslinger.


YES!!!

It's the story everyone wants to hear and he gave us Wind Thru the Keyhole

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PostPosted: Tue Jul 29, 2014 3:58 pm 
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Yes. I didn't even bother reading it. I'm not a big Stephen King fan, but Wizard and Glass is great and the dark tower series was great until then...then it jumped the rails and got stupid and the ending was lazy.

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PostPosted: Tue Jul 29, 2014 4:08 pm 
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I don't object to the actual ending when Roland enters the tower. That seemed appropriate. But the various deaths of major characters annoyed me. I also wanted a Flagg and Roland confrontation and/or a Crimson King confrontation. Mordred was just dumb. The fucking chap.

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PostPosted: Tue Jul 29, 2014 4:10 pm 
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Zizou wrote:
I don't object to the actual ending when Roland enters the tower. That seemed appropriate. But the various deaths of major characters annoyed me. I also wanted a Flagg and Roland confrontation and/or a Crimson King confrontation. Mordred was just dumb. The fucking chap.


I would agree about the literal ending of the book. But the set up to get there is just terrible. The Artist, Mordred, etc... just bad. Flagg and the Crimson King both went out like chumps.

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PostPosted: Tue Jul 29, 2014 4:56 pm 
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The rest of Full Metal Jacket after Pyle kills Sgt. Hartman.

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PostPosted: Tue Jul 29, 2014 5:02 pm 
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KDdidit wrote:
Monty Python and the Holy Grail. Not that it isn't awesome, but it would be better.

Romeo and Juliet. I dislike any movie where the main characters die at the end, feels like I wasted all that time if they're just going to die anyway.


this

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PostPosted: Tue Jul 29, 2014 5:06 pm 
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Hank Scorpio wrote:
Krazy Ivan wrote:
Hawg Ass wrote:
Stripes



^Winner...


But it's not even a bad ending its a bad second half of the movie. Once boot camp is over the movie is fucking terrible.


Except Sean Young and the other bimbo getting the treatment.

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PostPosted: Tue Jul 29, 2014 5:14 pm 
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I know I am going to catch a ton of shit for this but
City of Angels.

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PostPosted: Tue Jul 29, 2014 5:27 pm 
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LOTR: Return of the King
Signs
Castaway


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PostPosted: Tue Jul 29, 2014 5:28 pm 
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Big Chicagoan wrote:
LOTR: Return of the King
Signs
Castaway

Which of the dozen endings didn't you care for? :lol:


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PostPosted: Tue Jul 29, 2014 5:31 pm 
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lipidquadcab wrote:
Big Chicagoan wrote:
LOTR: Return of the King
Signs
Castaway

Which of the dozen endings didn't you care for? :lol:


Basically everything past the Eagle picking him up was just shit. And the special effects of the lava was horseshit for a movie with a budget like that.


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PostPosted: Tue Jul 29, 2014 5:57 pm 
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Empire Strikes Back.

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