Well, it's definitely better than "Crimson Peak". There are some real strong points to the film. It's clear he wanted to depict a certain era of intolerance. There's racism, sexism, a fear of the unknown. Definitely could be used as a vehicle for progressiveness, especially considering we want to define new "genders".
ultimately, the innocence of del toro wants to make an anti-monster movie. it's "creature from the black lagoon" but a little more romantic, and elegant.
it's a bit pretentious at times, and hawkins' performance is actually pitched above credibility sometimes. like, she's enjoying how good she's playing her character. i never felt the character. i just recognized the acting. and she sure sopped up every moment.
but, there is a heart here. and doug jones does a great job of putting forth an effort of becoming his character. michael shannon is fantastic as the villain...the true monster (del toro's not very subtle). i like that he has an obsession with cheap candy. like, he has this persona of being so professional and everything. but here he is popping candy like a little kid. he even admits to it.
overall, i buy the story and i buy the relationship. it went a little over the top with showing eliza (hawkins) being very...comfortable with herself. especially in the early scenes.
and, for those who hate cats...well, you'll really enjoy one scene in particular. it was a tad tasteless but...eh, i get it.
i liked the movie. but i never really felt a part of it. not like with "pan's labyrinth", where del toro just really let himself go. i don't know that i'd say this was strained. just very familiar. it's not such a bad thing...just not a great thing either.
out of