Spaulding wrote:
You have to be a pre teen or teenage girl to like this movie.
Well, which am I then, a pre teen or a teenage girl (and W_Z for that matter)?
You mentioned but then dismissed the fact that the sets are extraordinary, but that's a HUGE part of the film. I don't know why people expect films to always be akin to getting an education at an Ivy League school. Film is a visual experience, and Titanic did a fantastic job of putting a vivid visual experience on screen. I don't think the story or the performances are anywhere near bad enough to ruin it. Actually it is an extremely well-crafted film.
As to your criticisms of the Rose character, recall that she was being forced into an arranged marriage, to a detestable man whom she loathed, and who physically abused her. To say she "cheated" on him is a bit of a stretch. Kate Winslet is not exactly a bad actress either, I might add. You can debate Leo DiCaprio if you want (I didn't mind him in this film), but the other performances, including the minor roles, are actually done quite well.
I'm also not sure I carry the allegory about the rich to the same extremes you do. As W_Z pointed out, the film does paint a story about how over-indulgence and hubris gets its comeuppance. But you seem to take that as some sort of morality judgement where anyone who enjoys spending a little money now and then is inherently evil. I never interpreted the film's story to that degree. I think it was a smart story backdrop that went along quite well with the rest of the picture.
W_Z, I think you and I had quite a go-around during the holidays about the Star Wars prequels, so we won't go through all that again
. However, in this instance, you mention the plot... of all the criticisms I hear of the prequels (many of them valid), plot usually isn't one of them.
You've got the main character, whose pain from losing his mother and fear of losing his wife drives him on a quest for power which ultimately corrupts him, leading him to being chopped to bits by his loyal master whom he betrayed.
You have a foreboding tale (and one that rings true to life many times throughout history) of a skilled, two-faced politician who instigates a war and plays both sides of it as a means to achieve power (leading to one of the precious few memorable lines from the prequels, Padme's "so this is how liberty dies... to thunderous applause") - a plot-line that included the "good guy" stormtroopers providing an army for the Jedi, only then to betray them and exterminate them.
You have the time-honored paradox of trying so hard to protect someone and "owning" that person, only to become the cause of her destruction. You have the hubris and complacency of the Jedi (and the Senate) leading to their doom.
I don't know... of all the things to complain about, plot seems to be the least of the worries for the prequels.
Besides, similar to what I said about Titanic, the Star Wars films have always been about taking basic mythology, basic comparative religion, and simple themes about the human condition, and distilling them into two-hour films that tell their stories through fantastic visuals. And to that end, all six of the films are tremendous successes.
The thing about Titanic, Star Wars, and films like Dark Knight... In-depth character studies and thorough examinations of subject matter are best applied to books. Films are best when the visuals make the strongest impression. It doesn't mean a film should be shallow... to the contrary. But it should be more of an inspirational and subjective work, in a way that's pleasing to the eye. Otherwise, what's the point of making a film rather than a novel?