W_Z wrote:
i think he (nolan) wanted to have it both ways a little too much in the trilogy but it really came through in DKR. when it came to being too heavy or a bit too deep the mentality seemed to be "well, i'm taking batman to new, more realistic levels, to deeper realms."
then when it came to cartoonish over the top gadgets and explosions, and a really unbelievable resolution in DKR, it's like he's saying, "well, it's a comic book movie!"
well, either you want it realistic or you want it cartoonish.
Good point. The conflict you point out may be the product of constraints the studio or whatever entity puts on movies and directors. I remember reading an article the other day about some director who complained that he had to add or extend an action scene under the orders of some executive. I also remember a behind the scenes piece on the Godfather movies in which Coppola said something about prolonging the domestic abuse scene between Connie and Carlo because the studio wanted more action at that point.