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PostPosted: Mon Feb 17, 2014 10:13 pm 
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Don't know what they are called individually at those spots but they sure sound purty.

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PostPosted: Mon Feb 17, 2014 10:14 pm 
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I am all for it

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PostPosted: Tue Feb 18, 2014 4:20 pm 
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Open E chord shape, while not playing the either E strings? Tonal characteristics of A flat and B flat.

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PostPosted: Tue Feb 18, 2014 4:27 pm 
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doug - evergreen park wrote:
Open E chord shape, while not playing the either E strings? Tonal characteristics of A flat and B flat.

Mikey wrote:
Tee hee you hit the wrong note and we'll all Be Flat.


I'm very sorry. I'll see myself out now.

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PostPosted: Tue Feb 18, 2014 4:36 pm 
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Very impressive to play an organ made from bones.

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PostPosted: Tue Feb 18, 2014 5:00 pm 
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OP is likely playing an A and B without the bar.

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PostPosted: Tue Feb 18, 2014 5:02 pm 
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A flat and B flat...

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PostPosted: Tue Feb 18, 2014 5:20 pm 
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Darkside wrote:
Mikey, who was 90 minutes late, wrote:
Tee hee you hit the wrong note and we'll all Be Flat.


I'm very sorry. I'll see myself out now.
Fixed.

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PostPosted: Tue Feb 18, 2014 5:23 pm 
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0 0
0 0
6 8
7 9
7 9
0 0


If this is what he is talking about that's an A and B.

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PostPosted: Tue Feb 18, 2014 5:26 pm 
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He said 6th and 8th fret...so I assume the E shape moves up accordingly, which puts the root at the 4th and 6th frets....which is Ab and Bb.

or it's root at the 6th and 8th, which would make it Bb and C.

or...it's the E shape starting on the low E string at the 6th and 8th frets...which would make it a Eb and F.

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PostPosted: Tue Feb 18, 2014 6:15 pm 
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This song goes out to the Scottish poet Mr. Robert Burns. Who had he been able to tune his guitar in open E tuning would have certainly written this song. One Brown Mouse, an ode to, thank you. 8)

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PostPosted: Tue Feb 18, 2014 7:04 pm 
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Mini Ditka wrote:
0 0
0 0
6 8
7 9
7 9
0 0


If this is what he is talking about that's an A and B.

Thats pretty much it , yes.
x x
0 0
6 8
7 9
7 9
0 0

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PostPosted: Tue Feb 18, 2014 8:11 pm 
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Frank Coztansa wrote:
Darkside wrote:
Mikey, who was 90 minutes late, wrote:
Tee hee you hit the wrong note and we'll all Be Flat.


I'm very sorry. I'll see myself out now.
Fixed.

Too bad no one will get that.

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Many that is true, but an incomplete statement.


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PostPosted: Tue Feb 18, 2014 9:02 pm 
This is why I play bass.


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PostPosted: Tue Feb 18, 2014 9:04 pm 
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Baby Mac can only handle EADG

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PostPosted: Tue Feb 18, 2014 9:13 pm 
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Baby Mac can only handle EADG

No. Baby Mac is a vocalist who has need to play something with certain groups and doesn't feel like setting up my Motif for acoustic gigs :-)

Guitar was on the list of things to finally learn. Then kids happened.


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PostPosted: Tue Feb 18, 2014 9:21 pm 
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Baby McNown wrote:
pittmike wrote:
Baby Mac can only handle EADG

No. Baby Mac is a vocalist who has need to play something with certain groups and doesn't feel like setting up my Motif for acoustic gigs :-)

Guitar was on the list of things to finally learn. Then kids happened.



Just giving you a hard time :D

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PostPosted: Tue Feb 18, 2014 9:25 pm 
pittmike wrote:
Baby McNown wrote:
pittmike wrote:
Baby Mac can only handle EADG

No. Baby Mac is a vocalist who has need to play something with certain groups and doesn't feel like setting up my Motif for acoustic gigs :-)

Guitar was on the list of things to finally learn. Then kids happened.



Just giving you a hard time :D

Hence my smiley face. :D


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PostPosted: Tue Feb 18, 2014 9:31 pm 
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For the record these are handy reggae chords. If you can upstroke these effectively they sound nice, though I recommend killing the open strings or finding a good way to muff them which is very hard.
Two of my newer favorites are:

5
6
7
x
x
x

And

7
8
9
x
x
x
Which I use in Requiem, that tune on my sound cloud. They do sound pretty awesome...

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PostPosted: Wed Feb 19, 2014 10:13 am 
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First chord is an Esus4 or A add9 or C #m7#5
2nd chord is an Eb -9 m aug5 or E major ninth no3 or F# thirteenth no5

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PostPosted: Wed Feb 19, 2014 10:45 am 
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Baby McNown wrote:
pittmike wrote:
Baby Mac can only handle EADG

No. Baby Mac is a vocalist who has need to play something with certain groups and doesn't feel like setting up my Motif for acoustic gigs :-)

Guitar was on the list of things to finally learn. Then kids happened.
I started on bass, and am a lot better on bass than guitar, but you could pick it up pretty easily. Learn C, G, E, D, F, A and you can literally play hundreds of songs. You could master each one of those chords in an hour since your hands are already trained to play.

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PostPosted: Wed Feb 19, 2014 6:51 pm 
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Frank Coztansa wrote:
Baby McNown wrote:
pittmike wrote:
Baby Mac can only handle EADG

No. Baby Mac is a vocalist who has need to play something with certain groups and doesn't feel like setting up my Motif for acoustic gigs :-)

Guitar was on the list of things to finally learn. Then kids happened.
I started on bass, and am a lot better on bass than guitar, but you could pick it up pretty easily. Learn C, G, E, D, F, A and you can literally play hundreds of songs. You could master each one of those chords in an hour since your hands are already trained to play.

If you play a G, Am, D, and C you can pretty much play Tom Petty's entire catalog.

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PostPosted: Wed Feb 19, 2014 7:41 pm 
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Baby McNown wrote:
pittmike wrote:
Baby Mac can only handle EADG

No. Baby Mac is a vocalist who has need to play something with certain groups and doesn't feel like setting up my Motif for acoustic gigs :-)

Guitar was on the list of things to finally learn. Then kids happened.


I have barely picked up either of my guitars in the last three years. The last time I jammed with the fellas was in September. :(

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PostPosted: Wed Feb 19, 2014 7:43 pm 
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I wasted a lot of time studying and practice proper chords when I started. Then I looked at some tab books of songs to try. None of those fuckers really play proper chords seems to me. :lol:

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PostPosted: Wed Feb 19, 2014 7:46 pm 
pittmike wrote:
I wasted a lot of time studying and practice proper chords when I started. Then I looked at some tab books of songs to try. None of those fuckers really play proper chords seems to me. :lol:

You must not be playing Dave Mathews stuff. He's nothing if not a model of textbook fingerings :lol:


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PostPosted: Wed Feb 19, 2014 11:09 pm 
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The biggest thing with any instrument is just practicing and learning a little music theory like scales always helps (tab is more helpful than sheet music for guitar and bass). Different people have different goals as well. Some people just want to jam with their buddies cover band and others prefer home recording and writing and recording their own songs. I think some people believe that you're either born with musical talent or you can't do it all. Obviously some people just pick it up like it they were made to play an instrument. But I think other people don't have natural talent, but with practice can improve more than people who don't practice.

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PostPosted: Thu Feb 20, 2014 7:22 am 
Hows your practice going being gay MD?


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PostPosted: Thu Feb 20, 2014 9:23 am 
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Baby McNown wrote:
You must not be playing Dave Mathews stuff. He's nothing if not a model of textbook fingerings :lol:
Irish Boy wrote:
and he does it dry!

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PostPosted: Thu Feb 20, 2014 2:48 pm 
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in summary: practice is good unless you suck at practicing.

One must develop finger and hand strength first. speed and dexterity will naturally follow. if you run scales all day long, your chord fingering and transitions will be faster and smoother. If you practice chords and strumming all day long, then you are on your way to becoming a dirty patchouli drenched singer-songwriter nu-hippie who writes songs about struggle of domesticated cats.

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PostPosted: Thu Feb 20, 2014 5:23 pm 
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With that E shape you can also copy an E minor position for the minor chords in the key of E. That way you can use F#m G#m C#m and not just your E A B. Throwing in the minor chords can give you some more options in your chord progressions.

0 0 0
0 0 0
2 4 9
4 6 11
4 6 11
0 0 0

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