I feel bad that I gave up on the show in the first week but unless it is a 50/50 ratio of talk and music I won't subject myself to the
music portion.

The future holds the possibility to be great or terrible, and since it has not yet occurred it remains simultaneously both.

As with Blinded by the Light, Manfred Manns version blows Springsteens away.

We were both hitchhikers but you had your ears tuned to the roar
Of some metal-tempered engine on an alien, distant shore
So you left to find a better reason than the one we were living for
And it's not that nursery mouth I came back for
It's not the way you're stretched out on the floor
'Cause I've broken all your windows and I've rammed through all your doors
And who am I to ask you to lick my sores?
And you should know that's true
I came for you, for you, I came for you, but you did not need my urgency
I came for you, for you, I came for you, your life was one long emergency
And your cloud line urges me, oh, and my electric surges free

The future holds the possibility to be great or terrible, and since it has not yet occurred it remains simultaneously both.

The future holds the possibility to be great or terrible, and since it has not yet occurred it remains simultaneously both.

The future holds the possibility to be great or terrible, and since it has not yet occurred it remains simultaneously both.

Mary Dixon - Daria = Kathy Voltmer

They're playing Blinded by the Light right now. The good one by Manfred Mann.

They had a funny interview with Richard Lewis this morning. It's a good show, and there's really nothing else on in the morning that I want to listen to. Can't do Mully and Hanley for more than a few minutes and can't listen to Mike and Mike unless at least Greenberg is not there. McMurray is a little vapid, but Kathy Voltmer actually sounds like a professional -- she can read and has a pleasant voice, which are TWO things she has in her favor over any update person at the Score.